In what could be his last film, the nonagenarian filmmaker Clint Eastwood has delivered a compelling, traditional courtroom drama titled “Juror #2.” Renowned for his efficiency, Eastwood infuses this suspenseful narrative with his signature brisk energy. If this truly marks his farewell as a director, the 94-year-old icon concludes his filmmaking journey on a high note, especially after a few lackluster recent projects like “Cry Macho,” “The Mule,” and “The 15:17 to Paris.”

This film represents the kind of mid-budget, mainstream cinema that was once prevalent in the 1980s and ‘90s but has become increasingly scarce in today's landscape, which is dominated by uninspired IP sequels, reboots, and edgy indie films. “Juror #2” occupies a unique space, appealing to adult audiences with its elegant production, strong performances from a talented cast, and thought-provoking themes that offer both entertainment and a chance for reflection.

Nicholas Hoult plays Justin Kemp, a writer who finds himself on jury duty when he would much prefer to be at home supporting his very pregnant wife, Allison (Zoey Deutch). Having recently completed five days of jury duty myself, I can confirm that people come up with all sorts of creative excuses to get out of it. However, in the film's setting of Savannah, Georgia, the prospect of becoming a father isn't enough to grant him an exemption.

Savannah, known for its lush landscapes, also served as the backdrop for another Eastwood thriller, the 1997 film "Midnight in the Garden of Good and Evil." In this movie, though, most of the action takes place indoors, focusing on the courtroom and the jury deliberation room, where a group of strangers must navigate the complexities of a high-profile murder trial in their quest for justice.

A sequence of flashbacks unveils the tragic circumstances of a death, each offering slightly varied details and perspectives based on the witness or evidence. What we do know is this: After a night filled with drinking and disputes with her boyfriend at a roadside honky-tonk, a stunning blonde named Kendall (played by Francesca Eastwood, the director's daughter) was discovered lifeless on the rocks beneath a bridge. The cinematography by Yves Bélanger, combined with a striking sound design, immerses us in the emotions and chaos of that stormy night.

Prosecutor Faith Killebrew (Toni Collette, attempting a Southern accent) believes this case is straightforward enough to propel her into the district attorney's position. It seems clear that Kendall's boyfriend, James (Gabriel Basso), known for their tumultuous relationship, is the prime suspect. Witnesses reported seeing them argue that evening, followed by him pursuing her into the parking lot.

His attorney, the charming Chris Messina, works to create just enough reasonable doubt for the jury to acquit James. Throughout the trial, James has maintained his innocence. Yet, as Justin learns more about the crime, he begins to question his own memories. He was also at the bar that night and might know more than he’s willing to acknowledge.

Does this sound like a forgotten John Grisham novel that has finally made its way to the screen? Jonathan Abrams’ intricate script certainly offers some nostalgic enjoyment.

Hoult delivers a subtly powerful performance as a man who gradually realizes that his future is at stake if he chooses to come forward and do the right thing. As a recovering alcoholic, he struggles to maintain his sobriety and feels immense gratitude for the second chance he’s been given, which deepens our empathy for him. Kiefer Sutherland strikes the perfect balance of warmth and honesty as Justin’s sponsor, who is also a lawyer.

Among the impressive supporting cast is J.K. Simmons, portraying a fellow juror and former detective who harbors his own doubts about the case's handling. The film cleverly acknowledges that his background as a police officer should have been revealed during jury selection, highlighting a notable oversight. Simmons embodies the role of a seasoned, no-nonsense veteran, exuding intelligence and confidence. Cedric Yarbrough also delivers a strong performance as another juror with personal motivations for his conviction vote. Meanwhile, Leslie Bibb brings humor to her role as a cheerful stay-at-home mom, perfectly dressed in tasteful neutrals and carrying a monogrammed tote.

While "Juror #2" may initially come across as a straightforward procedural, the conclusion is quite impactful, sparking discussions that you'll want to have with other adults who appreciate this kind of engaging and substantial entertainment.